Unit 7. The bay shows the track name (left-click toggles playback, right-click opens the picker —
the label stays the control), a play/pause button, the duck badge, and a dB level.
No ladder here, deliberately: nothing measures the music bed, and a decorative ladder would break
the measured-not-painted rule. A test asserts the bay has no SegmentMeter.
The level is real: `ITraxPlayer.UserGain` is a new creator gain multiplied onto the fixed design
volume, separate from `LocalGain` (which follows the desktop mute). The VM's `TraxVolumeDb` is the
same dB scale as the other faders, so unity means the bed's design level.
Unit 6. Mirrors the mic bay for the desktop/game bed, plus the badge that matters to a creator who
cannot hear the duck: it shows while the ducker is actually attenuating, and it prints the gain the
mixer applied (−12.0 DUCK by design).
- `AudioMixer.DuckGain` exposes `AutoDucker.CurrentGain` instead of leaving it internal.
- VM: `GameVolumeDb` / `GameVolumeDbLabel` (fader face), `GameMeterFraction` (measured level),
`IsGameDucking` + `GameDuckLabel` refreshed on the level tick — the same moment the ducker runs,
so the badge cannot lag behind the mix.
- The bay: header chip + source, ladder, mute dot (uses the meter band, so mute reads at a glance),
dB readout, fader.
Guard: GameBayTests — the dock binds all four, `AutoDucker.DuckGain` is −12.04 dB and the label is
produced through the same dB scale as the faders, and the mixer property exists so the badge cannot
become a hardcoded number.
Unit 5. The dock's first working bay:
- 24-segment ladder fed by `MicMeterFraction` — the MEASURED display level (already scaled by the
volume and zeroed when muted), never the gain setting.
- Fader in dB via `MicVolumeDb` (−60 … +6, 0 = unity) with a mono-weight readout
(`MicVolumeDbLabel`), so "−6.0 dB" is what the creator reads instead of "0.50".
- Mute button whose dot uses the existing MicStatusBrush; clicking the device name opens the mic
picker, so the label stays the control (the KISS rule: one place to change the mic).
The preview's own mic row stays for now — it is removed in the final unit, after the dock bays are
complete, so nothing is lost if a bay misbehaves.
Guard: MicBayTests — the bay binds the dB face and the measured level (not the gain), the fader
range IS the scale's range, the VM surface exists, and mute still zeroes the ladder.
During a live session attention sits on the preview, so the master sound bar belongs as close to it
as possible — master row first, the four bays below. Collapsed mode is unchanged: 36px is the
master strip on its own, so it stays exactly where the eye already is.
Unit 4 of the sound-bar refactor. `Controls/AudioDock` takes the bottom row that held the empty
`BottomBar` spacer (deleted): four bay containers (MIC / GAME / TRAX / LIP-SYNC) above a 36px
master strip, all token-styled.
Height comes from `Models/AudioDockLayout`, not from a setting: 168px normally, 36px below a 900px
window height. At the 1366×768 minimum a full dock leaves ~398px for the preview, so the collapse
is mandatory, not cosmetic. The dock listens to its window's SizeChanged and re-applies.
Nothing here pretends to be a meter yet — the bays and the master readouts fill in over the next
units, each with its own test.
Guard: AudioDockLayoutTests pins both sides of the threshold (768 collapsed, 1040 expanded), the
boundary itself, and the two heights as the design's numbers.
gramps