Unit 5. The dock's first working bay:
- 24-segment ladder fed by `MicMeterFraction` — the MEASURED display level (already scaled by the
volume and zeroed when muted), never the gain setting.
- Fader in dB via `MicVolumeDb` (−60 … +6, 0 = unity) with a mono-weight readout
(`MicVolumeDbLabel`), so "−6.0 dB" is what the creator reads instead of "0.50".
- Mute button whose dot uses the existing MicStatusBrush; clicking the device name opens the mic
picker, so the label stays the control (the KISS rule: one place to change the mic).
The preview's own mic row stays for now — it is removed in the final unit, after the dock bays are
complete, so nothing is lost if a bay misbehaves.
Guard: MicBayTests — the bay binds the dB face and the measured level (not the gain), the fader
range IS the scale's range, the VM surface exists, and mute still zeroes the ladder.
Unit 4 of the sound-bar refactor. `Controls/AudioDock` takes the bottom row that held the empty
`BottomBar` spacer (deleted): four bay containers (MIC / GAME / TRAX / LIP-SYNC) above a 36px
master strip, all token-styled.
Height comes from `Models/AudioDockLayout`, not from a setting: 168px normally, 36px below a 900px
window height. At the 1366×768 minimum a full dock leaves ~398px for the preview, so the collapse
is mandatory, not cosmetic. The dock listens to its window's SizeChanged and re-applies.
Nothing here pretends to be a meter yet — the bays and the master readouts fill in over the next
units, each with its own test.
Guard: AudioDockLayoutTests pins both sides of the threshold (768 collapsed, 1040 expanded), the
boundary itself, and the two heights as the design's numbers.
gramps